Category: DEFAULT

Fantasia On A Theme By Thomas Tallis - Elgar*, Vaughan Williams*, Barbirolli*, Sinfonia Of London* -

IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Creative Commons Attribution 3. Naxos Javascript not enabled. Creative Commons Attribution 4. Creative Commons Attribution-ShareAlike 4. Fantasias ; For 2 violins, viola, cello, 2 string ensembles ; Scores featuring the violin ; Scores featuring the viola ; Scores featuring the cello ; For strings with soloists ; For 4 violins, 2 violas, 2 cellos arr ; For 8 players ; For orchestra arr ; For orchestra ; Scores featuring the orchestra ; For 2 pianos arr ; Scores featuring the piano ; For 2 players ; For organ arr ; For 1 player ; Scores featuring the organ.

Contents 1 Performances 1. Boston: Isabella Stewart Gardner Museum. The sway rises to a shortened A3 , which abruptly cuts both itself and the introductory section off. All strings play in the first statement, with the second violins, violas, and first celli handling the melody in unison, for an incredibly rich string sound. Rising arpeggios from low to high in the upper strings lead to a restatement of the theme in the first violins and first violas you shouldn't forget the theme.

There's much octave double-stopping each string player sounds two notes at once , a higher dynamic, and - guess what? This reaches a climax, which dies in more magic chords, caught from the tail of A4. A2 and A3 explored. A declamatory, abrupt statement of A2 alternates with the sway At , A3 alternates with the sway. We then return to the introductory "magic chords" in the smaller orchestra II, alternating with the sway in orchestra I.

The sway reaches a small peak in both choirs, then dims as it alternates between orchestra I and orchestra II. A3 explored. The solo viola leads off with a variant on A3 This merges with the sway and an abrupt statement of A3, which the string quartet takes up The sway begins again in the small choir and larger one joins in with another declaiming of A3. The string quartet continues its polyphonic meditation on the subtheme , and the full orchestra again declaims A3 before it falls and dissolves into the sway of the string quartet Explores the swaying subject.

The small choir extends the quartet's sway and takes off down new melodic bypaths, with annotations provided by the quartet At , large and small orchestras embark on "the chant of pleasant exploration," to borrow Whitman, and begin to build to a huge climax, culminating in A3 This dies down to an "afterglow" in the small choir For me, this is the "deep heart's core" of the entire piece - a miracle of the imagination.

The sway tries to start again, but doesn't seem to be able to get beyond two notes It begins with a huge push and dissolves into fragments of "magic chords. The orchestra provides a featherbed of sound, and the solo violin and viola duet on A2, A3, and more sway. Everybody joins in on A4 , which loses heat and leads to more "magic chords" at I've known this work for almost forty years. I treasure it. I'm quite aware that understanding the skeleton says very little about the miracle of its life.

If I knew how that were done, I wouldn't be writing prose. Copyright , Steve Schwartz. All Rights Reserved.

Site Search. He gets most of his contrast by dividing the strings into three groups of unequal strength: 1. And despite restricting himself to an orchestra consisting solely of strings, this music features more variety of sonic color than most of his pre-France works for full orchestra. Vaughan Williams clearly took to heart his lessons with Ravel.

The Fantasia on a Theme by Thomas Tallis was favorably received by its first audience. The work is wonderful because it seems to lift one into some unknown regions of musical thought and feeling. Vaughan Williams composed the work for a string orchestra divided into three ensembles: a full string orchestra, a smaller orchestra of nine players, and a string quartet. This division is key to the variety of instrumental colors and effects Vaughan Williams achieves.

Throughout the piece, the smaller orchestra tends to act as a shadow or echo of the larger orchestra, adding a kind of celestial shimmer to its statements. The quartet, in contrast, is frequently used in a more prominent role to introduce material which will be manipulated by the larger ensembles. The source melody by Thomas Tallis is in Phrygian mode and is structured in two sections. The first half consists of two very similar phrases, and the second consists of two contrasting phrases with more rhythmic variety.

Tallis's original tune [4] is in the Phrygian mode and was one of the nine he contributed to the Psalter of for the Archbishop of Canterbury , Matthew Parker. When Vaughan Williams edited the English Hymnal of , he also included this melody number Parker's original words were:.

Listeners of the UK classical music radio station Classic FM have regularly voted the piece into the top five of the station's "Hall of Fame" , an annual poll of the most popular classical music works.

From Wikipedia, the free encyclopedia. Redirected from Fantasia on a theme by Thomas Tallis. Fantasia on a Theme by Thomas Tallis. Vaughan Williams and the Vision of Albion.

Sir Edward Elgar, Vaughan Williams* / The Sinfonia Of London / Barbirolli* - Barbirolli Conducts English String Music ‎ (LP, Whi) His Master's Voice, His Master's Voice ASD , ASD

7 thoughts on “Fantasia On A Theme By Thomas Tallis - Elgar*, Vaughan Williams*, Barbirolli*, Sinfonia Of London* -”

  1. Introduction And Allegro, Serenade, Fantasias: originally released on Elgar*, Vaughan Williams* / The Sinfonia Of London / Barbirolli* - Barbirolli Conducts English String Music in Elegy, Sospiry: originally released on Elgar*, New Philharmonia Orchestra Conducted By Sir John Barbirolli - Pomp And Circumstance in /5(3).
  2. Nov 11,  · The program is Fantasia on Greensleeves, English Folk Song Suite, and Fantasia on a Theme by Thomas Tallis. I'm guessing this is the American release of something that may sound even better on its original European label, not sure.
  3. Jun 16,  · His version of Vaughan Williams' Fantasia on a Theme by Thomas Tallis is very moving, not at all underwhelming, as one reviewer (not on Amazon) suggested. He doesn't rush to extremes in the work's climaxes, to be sure, but this is to greater effect, as the work's dramatic arc is finely shaped by Zukerman throughout/5(4).
  4. Jan 26,  · Ralph Vaughan Williams' "Fantasia on a Theme by Thomas Tallis (Tallis Fantasia)" as performed by the Philadelphia Orchestra, conducted by Eugene Ormandy For more popular performances of the Tallis.
  5. Elgar* / Vaughan Williams* / Sir John Barbirolli, Sinfonia Of London*, Allegri String Quartet*, New Philharmonia Orchestra - English String Music ‎ (CD, Album, RE, RM) EMI Classics 5 2 05/5(1).
  6. Elgar* / Vaughan Williams* / Sir John Barbirolli, Sinfonia Of London*, Allegri String Quartet*, New Philharmonia Orchestra - English String Music ‎ (CD, Album, RE, RM) EMI Classics 5 2 0.
  7. Fantasia On A Theme By Thomas Tallis: B2: Vaughan Williams* / The Sinfonia Of London / Barbirolli* - Barbirolli Conducts English String Music ‎ (LP Elgar*, Vaughan Williams* - Barbirolli* / Sinfonia Of London* With Allegri String Quartet* - Barbirolli Conducts English String Music /5(9).

Leave a Reply

Your email address will not be published. Required fields are marked *