Archived from the original on 30 June Festival International du Film de Marrakech. Archived from the original on 20 January Les Inrockuptibles. BBC News. All music. Mars Distribution. Retrieved 29 June Institut National de l'Audiovisuel. Le Soir. Sony Music. The Encyclopedia of Popular Music.
Oxford: Oxford University Press. Miles Kane official website. Jacques Dutronc. Jacques Dutronc Jacques Dutronc May and all that Part 2: Severed Hands 1.
Click here for a statement from Chris Marker. Related Titles:. Films from independent producers worldwide. Related Titles: Remembrance of Things to Come This tapestry of still photographs, subject-skipping montage and rapid shuttle of wit and philosophy is pure Chris Marker. Un film di Chris Marker. Documentario , durata min. Frasi celebri del film Le fond de l'air est rouge. Inserisci qui il nome di chi ha citato la frase celebre: Inserisci qui il testo della frase celebre: Inserisci qui il tuo nome: Frase inserita correttamente.
Inserisci ancora o fai clic qui per chiudere. The Prague Spring of is featured, with footage of a Fidel Castro speech in which he explains his political support for the Soviet invasion of Czechoslovakia while questioning the legality of the action. There are many subtle references to cats throughout the film, as well as brief shots of raccoons. The film was originally released in France on 23 November with a running time of four hours. It was re-edited by Marker in and scaled down to two parts of one- hour-and-a-half each, the first titled Fragile Hands and the second titled Severed Hands.
Hoberman reviewed the film for The Village Voice , and wrote that "Marker begins by evoking Battleship Potemkin , and although hardly agitprop , A Grin Without a Cat is in that tradition—a montage film with a mass hero.
Changer la langue cible pour obtenir des traductions. En poursuivant votre navigation sur ce site, vous acceptez l'utilisation de ces cookies. En savoir plus.Home» film» » Le fond de l'air est rouge. Montaggio delle rivoluzioni che hanno percorso un decennio, attraverso il quale il regista rilegge l'attualità in maniera del tutto personale. Nel suo film più lungo, Chris Marker ritrova le lotte, le ossessioni, gli ideali e le sconfitte del decennio , "governando e modellando.